Galerie Crystal Ball

Salle d’attente – Natascha Frioud & Gabi Garland

Calling the waiting numbers: The visitors are always careful not to miss their drawn number.

Opening with performance on Sa. June 9, at 7 p.m.
until Sun. July 15, 2018

The gallery space transforms into a waiting room that also reflects the question of what we are actually waiting for or what expectations we have of what is to come. What will be later? In the staging of the space, works of art are presented and information material and refreshments are available, which, as in any other waiting room, could successfully distract from these trains of thought or, in contrast, focus them in a special way. Take your time.

Gabi Garland a salle d´attente Galerie Crystal Ball Berlin
Waiting for my fan, Gabi Garland, Barcelona, 2018

Dans la salle d’attente,on est juste là.
Assis. On ne fait pas grand chose! Il faut juste qu’on soit là.
Quelques fois on regarde le temps qui passe.
C’est un peu long d’ailleurs, de le voir passer.
Mais bon, dans la salle d’attente,
on est là pour qu’ensuite il se passe quelque chose!
Et souvent, ce qu’il se passe après est tout de même un peu décevant.
Parce que finalement, dans la salle d’attente,
on était un peu content, d’avoir enfin tout ce temps.
Natascha Frioud

Natascha Frioud Galerie Crystal Ball Berlin
Warms and makes you young: The oldest clothes in the world, Natascha Frioud, ink on newsprint, 2018

Martin Mindermann – Studium der Zeichen

Vernissage on Sunday, 18 March at 16 o’clock
18.3. – 5.5.2018

Look out! – A selection of Raku vessels will be on display on the weekend of 20 & 21 May from 14 – 19 o’clock at Haus Lohmnitz, Langohrzeile 9 in Berlin. The exhibition there also shows paintings and collages by the artist Elke Graalfs and collages as well as a mobile by Manfred Kirschner

Martin Mindermann Raku Brand Keramik
Martin Mindermann, 2017

The artist Martin Mindermann has been working in ceramics in the area of ​​the Raku fire for three decades. He has already set new standards in artistic technique and expression. In the Raku’s historical technique, the glowing vessels are taken out of the oven, placed in straw or shavings and also moved in the renewed fire. The burned, black, sooty vessels unfold in the purge of soot, their stirring characteristic secrets. The changing temperature boosts cause glaze cracks, the so-called Krakelé. On the one hand, controlled by the artist and natural coincidence underlying technology that works like a language. Crackle, coloring and body play in a changeable aesthetic interaction creating a unique object. The artist often stages volumes and bodies with pictorial surfaces. Here he inserts patterns and striking visual structures in current works. These are contemplative forms or series that he finds and studies in everyday life. He translates floral objects, such as seed pods, figural outlines, reflections, even patterns on car parks or tablecloths, onto the glaze using photography and drawing. They form a complex aesthetic creation that works in the virtuose interaction of the various levels and their setting similar to painting. Moreover, it seems as if the emerging images with the vessel have received their intended body. Martin Mindermann knows how to convey the inherent contemplation of his ideas and studies in a very convincing way. One can hardly escape the intensity and radiant power of his works and, as a viewer, can easily enter a calm, deep vision.


Fuck Your Selfie! #4 – Portraitsalon

FYS Volume # 4 – the wonderful portrait salon with music and performances – from 29 May to 2 June 2018 from 2 to 7 p.m.

Portrait of Samantha, Paper on canvas, 30 x 30 cm, Lydia Karstadt, 2018 

Visit the legendary salon this year, sit and have your unique portrait produced in direct communication with an artist.
Saturday 2 June, Portrait – Party from 20 hrs

Performers: Charlene, Rias Berlin, Goldthroat, Mireille & Matthieu, Lydia Karstadt and other surprises

With: Jim Avignon, Ioana Alexe, Francoise Cactus, Natascha Frioud, Gabi Garland, Maike Hartwig, Mareike Hube, Elke Graalfs, Lydia Karstadt, Manfred Kirschner, Anett Lau, Caren Sielaff, Stu Mead, Mini Mo, Berit Schneider, Gisela Wrede, Caren Sielaff and others

 

Silky – Don´t think  about it!

     

Vernissage on Fr. 2 February 2018 at 19:00
Finissage with musical performance on So. 11 March at 5 p.m.

Yeah, Silke, sculpture 

Startseite

      

    

About 11 years ago, in March 2007,  Crystal Ball Gallery opened with an exhibition by the artist and musician Silke Thoss aka Silky. With “Don’t think about it!” Silky shows in her fourth presentation at Crystal Ball, a space related installation, an extraordinary set design, made of painted objects – pictorial, illuminated signs and billboards. In the interplay of language, light effects, sound and fog, they simulate an urban external advertising situation. The billboards, which are known from many films, metropolitan situations, are iconographically occupied by the artist with ironic references and meanings. Within the space, these communicate in an associative collage.

Silky’s humorous strategy in the implementation of her ideas creates a smart lightness that works in a laconic and sublime way. She owns an extraordinary position in the art business, as she does not impose any elitist attributions. In a time when social energies are special, this work can be considered as real fortune. Therefore I am very happy to be able to show Silky in the jubilee year of the gallery!

The exhibition will also feature smaller multiples by the artist.

 


SUPEROLIVE!

Vernissage: Fr. 1. Dez. 2017 19:30 Uhr
Italian breakfast, 2. Dez. 2017 13 – 15 Uhr
Superolive Auktion, Do. 14. Dez. 2107 19:30 Uhr

Flyer, Gemälde von Berit Schneider

Moderated by Frank Schoppmeier, Kinomuseum Berlin

We are looking forward to a brilliant super olive! For the moderation we could win the director of the Kinomuseum Berlin, Frank Schoppmeier. The evening will be framed by an encore of the performances of Rias- Berlin and Françoise Cactus, Mireille & Matthieu and other artists.

With: Rias, Françoise Cactus, Evita Emersleben, Gaby Garland, Renate Goergen, Elke Graalfs, Lydia Karstadt, Manfred Kirschner, Patricia Lippert, Vito Neto Masi, Mireille & Matthieu, Berit Schneider, Veronika Schumacher, Juwelia St.St., Teresa, Silke Thoss, Barbara Wagner und Lisa Wischeropp.

Rias, Françoise Cactus, Evita Emersleben, Gaby Garland, Renate Goergen, Elke Graalfs, Manfred Kirschner, Patricia Lippert, Vito Neto Masi, Mireille & Matthieu, Berit Schneider, Veronika Schumacher, Juwelia St.St., Teresa, Silke Thoss und Barbara Wagner.

In the Olive, we recognize the culture-creating base of Mediterranean civilization, and its importance goes far beyond the nutritive value of its rich juice. For thousands of years the oil has worked in spiritual anointings as much as it enlightened the temples and hearts. It became the sign of new beginning and in their groves were held powerful and groundbreaking speeches. The Superolive becomes the cipher of geographical, cultural and – today more important than ever – social contexts.

Superolive, Mireille & Matthieu, Performance, 2017

On our vernissage everything comes together, firstly a constantly growing group of people from Berlin who appreciate the extraordinary olive oil of Saverio Ciaccio, secondly Saverio himself – and this year in particular, Berlin artists, each with its own aesthetic position contribute to decipher the olive.
As a Roman architect, Saverio has always been busy with constructions – in addition, SUPEROLIVE is working with the construction of new social relationships, through which a participatory design of European landscapes becomes possible. The artistic statements on the subject are diverse and opens up the thematic perspective, the production of a direct authentic, sustainable trade, a mindfulness of the essential, in a lustful, ironic and poetic way. The entanglement, as well as the organization of these elements determining our lives comes to an exemplary oppositional sketch, which changes something for the positive, at least for the participating people. We would be happy if you join us!

The gallery Crystal Ball and Saverio Ciaccio invite you to the great SUPEROLIVE. We look forward to seeing you!
Lydia Karstadt

Slider image

Return of Superolive, Manfred Kirschner, 2017

Slider image

Weihnachtsoliven, Manfred Kirschner

Slider image

Vernissage 1.12.2017

Slider image

Superolive, Schaufenster

Slider image

Superolive – Friedenszeichen, Patrizia Lippert

Slider image

Superolive, Schaufenster

Slider image

Olvia Boots, Silky, Acryl, Holz

Slider image

von links nach rechts: Werke von Silky, Malerei – Vito Neto Masi, Skulputr – Juwelia, Malerei

Slider image

Olivenölflasche – Etikett, Gaby Garland

Slider image

Ankunft der Superolive 2017

Slider image

Olive Man, Silky

Slider image

Friedrich, Vito Neto Masi, Skulptur

Slider image

Walk in the Park, Manfred Kirschner

Slider image

Superolive, Gaby Garland

Slider image

Superolive – Schaufenster

Slider image

Le Feu Rock Fuis

15th. July – 30. September 2017
Finissage on Sat. 30 September at 8 p.m. and extended until 21 November 2017

Crystal Ball is getting crazy or it ever was. Maybe you already seen it this summer, but you can still get in and into it ! “Le Feu Rock Fuis” is the first exhibition worldwide that officially publishes its ending and begins in a way with its last day, the Finissage. Crystal Ball is enlighted to present you another artistic, dadaistic coup: The last days of an arbitrary absurd exhibition salon that lasted for two months in summer 2017 and will now be a one day exhibition. Only the visitors and some of the participating artists knew about it. The artist of the exhibition are: Stefan Demming, Juwelia St. St., Manfred Kirschner und Caren Sielaff.

So you are now invited to see what had happened lately and also what is coming up soon. The “Feu Rock Fuis” will contain delighted performances and a special presentation of one of our next actions: Superolive! There you can taste the sensational supertasty Oliveoil from our italien friends ! We will have a sneak preview on “Superolive”, its accompaning artists and the wonderful Oil. Buy and order and dance with us!


Fuck Your Selfie! #3 – Portraitsalon

3. to 7. July 2017, from 2 p.m. to 7 p.m.
Performances, music and portrait salon

With many well-known artists: Ioana Alexe, Francoise Cactus, Hervé Cabine, Brezel Göring, Elke Graalfs, Maike Hartwig, Mareike Hube, Lydia Karstadt, Jenny Löbert, Rudi Paris, Gabriele Regiert, Berit Schneider, Frank Schoppmeier, Veronika Schumacher, Gisela Wrede and others!

Potrait of Teresa, Lydia Karstadt, Collage on Canvas, Berlin, 2017

Collage Garage 2.0

Collage Garage/ 11.4. – 27.4./ Tue., Wed., Thu., 3 to 7 p.m.
Vernissage: 30.4., 7 p.m./ Exhibition until 14 May 2017

Gabor, Gabi Garland, 24 x 18 cm, paper/pencil on cardboard, Brooklyn, 2016

Collage Theory, Practise & Exhibit your works at Crystal Ball Gallery

Gallery Crystal Ball presents an open participatory project based on an idea by Gabi Garland, Eunice Kim and Lydia Karstadt from Brooklyn, N.Y.

The gallery becomes an open studio by you ! Create your works,
participate in collage theory and then present your works in a gallery exhibition.


Django Knoth – No Mercy Portraits

Portrait Salon: with opening on 17. February at 7 p.m. – until 26 February. daily 2 – 7 p.m. Exhibition opening on Sun. 4. March at 7 p.m. to Sun. 2. April

No Mercy Portrait # 102 Oli Knoth – Galerie Crystal Ball Berlin

In February Django Knoth will be guest at Crystal Ball with his unique portrait photographs. He will transform the space into a Photo Portrait Studio where every visitor is able to get his/her personal “No Mercy” image. After a week of working out, the Pictures will be exhibited in an upcoming show. Through his special technique of using a paper negative and a long exposure time, vivid tableaus emerge, from which we seem to look from a long gone time. Scattering the smallest movements of the still portrayed faces produces their liveliness, while the red pigmentation leads to a darker reproduction of the face according to Django; the so-called “coal mine look”. These pitiless circumstances of the artist’s process, which throw us into the tableaux like a time journey without mercy, are  inspiring and in this form also unique in photography. Don´t miss it!


Roland Eckelt – Best in Show

Vernissage with film installation on 27. January 2017 at 7 p.m.
to 10. February 2017, projection daily 7 p.m. – 11 p.m.

Best in Show - Roland Eckelt
Best in Show, approx. 12 mins german/English, Filmstill, Roland Eckelt, 2017

With Best in Show, Roland Eckelt presents his same titled video installation in the shop window of the gallery. The film shows in a playful and subtle way dictatorial, human domination over animals – here exemplarily in the absurd procedure of the competition for the best of its breed, the so-called Best in Show. Sculptural and aesthetic artistic strategies such as color and form theory are mirrored by the artist in the video work in the breed- or paddle-breeding and unmask it in a subtle visual way .

Best in Show

Do NOT follow this link or you will be banned from the site!