Galerie Crystal Ball

Gabriele Regiert – Plan B

The exhibition of Gabriele Regiert is open to individual visitors during the usual opening hours from Friday 8 May.
Finissage: 16 August, 5 p.m.

The exhibition is open to the public again. You can now visit the gallery again during the usual opening hours. In view of the Corona Pandemic we have also published a 360 degree panorama including an interview with the artist.

Gabriele Regiert, Plan B, ca. 320 x 350 cm, Installation/ Detail, 2020

Plan B, Gabriele Regiert on her tiny planet

In the exhibition Plan B, Gabriele Regiert shows her installation of the same name, a large tableau of assembled drawings and canvases. Each work, and drawing stands on its own, but its own presence adds up to an overall effect. Gabriele Regiert’s drawings are processes; their sequence of events, her work that wants nothing but her actions, is her motif. In this way, very free, highly aesthetic sheets are created which do not want but become art. In Plan B., the sheets are hung on top of each other and partly on top of each other like emergency seats, parts of the picture disappear or appear to be brought together in an uncontrolled way. It is precisely this strategy of an unusual, succinct treatment that effectively produces the emanation of the pictures and is exemplary for the artist as an artistic attitude. Gabriele Regiert quotes and touches on visual universals such as in this case note boards, pinboards or the case collections known from crime novels – collections that resonate in this aesthetic. The interplay opens up to meaning – unexpected associations – it is about the moment. The artist keeps her drawings open. The handling of the unfinished, an unconscious drawing action whose lines are always on the way, whose patterns look for themselves elsewhere and are more committed to the tea stain than to a concrete goal, reinforce her present presence. The installation is always temporary in this way of working. When hung again, the presentation resembled a re-enactment rather than a precise repetition.
The working process is dynamic, the artistic products almost performative, lively in their creative context, not fixed. Some would certainly have disappeared because they continued working or became material again in the artist’s fund. This way of working is very committed to life, it democratizes the works among themselves and works on a new innovative attitude. Gabriele Regiert’s work contains a processual, superordinate understanding and thus shows that art is immediate liveliness.

On the occasion of the exhibition the edition „Pret A Manger“, framed, 18 x 12 x 5 cm, edition of 15, each 120,-

Pret A Manger 2/15 – Gabriele Regiert, Edition #1, framed/ signed, 120,- Crystal Ball, 2020

Pia E. van Nuland – A Second Moon

Vernissage on Sa. 8 February 2020 at 7 p.m., extended until Sa. 14 March 2020
Look out! Due to the pandemic, the finissage on 14 March will be cancelled

Pia E. van Nuland, Main Street,
-SLC- USA, 120 x 160 cm, multicoloured linoleum print on canvas, 2020

In February and March, the gallery will show new works by Pia E. van Nuland, some of which she realized during her fellowship abroad in Salt Lake City, USA. Pia E. van Nuland’s linocuts masterfully expand the printmaking boundaries of the medium. The artist likes to work with special colors and color mixtures to achieve special, opaque and painterly effects. Size formats, conception and sensitivity of the cut, go far beyond illustrative attributes in the prints. The motifs, the image detail, the choice of colours are combined in Van Nuland’s works in a high virtuosity, so that the artist can take a special position. Pia E. van Nuland often works in thematic series, with multi-coloured large formats, whose individual pictures are unique in quality and expressiveness. The exhibition shows for the first time in Berlin, an overview and multi-coloured linoleum prints on canvas.

Jim Avignon – Your Portrait Here!

Vernissage on Sat. 7 December 2020 at 7 p.m. until Sun. 22 December 2019

Your Portrait here, Jim Avignon 2020

Jim Avignon, who regularly participates in the annual Crystal Ball: “Fuck Your Selfie” portrait salon festival, will show his extraordinary portrait project in December 2019: “Your Portrait Here!”

The artist opens an exhibition with unfinished pictures, in which the spectators automatically take on an immanent role, as they can be painted into the pictures. An interactive art exhibition, which is only completed at the end by the composition of the portrait models with their scenery, their background. During this time, Jim Avignon will also use Crystal Ball as a studio to paint the empty spaces and develop the portrait series. Jim Avignon’s artistic work is refreshingly oppositional to elitist, high-priced positions. His working method is more life-oriented and is directed towards people and recipients. For more than two decades, Jim Avignon has tirelessly portrayed criticism in a humorous and stylistically confident manner as a kind of social reflexive in his art and music ouevre. In Kunstforum Volume 262, Borderlines /2019, Jim’s comparison to Charlie Chaplin stands out. The attention, the importance of such a position seems to have arrived there, at the same time as its explosiveness of the social in our hierarchized high culture.

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Oliver Voigt – Mind The Gap!

Opening Friday, 11 October 2019 at 7 p.m.
extended until 2 November 2019, with finissage at 8 p.m.

Oliver Voigt, New York #1, Tusche auf Papier, 2018

Oliver Voigt represents an equally free and modern artistic position. He works in different fields and frees himself from an always same artistic gesture. He works on thematic fields with high concentration, often developing the necessary production techniques and strategies in the respective medium.

For “Mind the Gap”, the artist has now developed an aesthetic methodology that circumscribes the tonal values ??of the quoted images in numbers, which are then transferred with ink on paper. The basis of the pictures are newspaper photos, photographs of the victims of attacks and terror. Disturbing images, their content, their inherent brutal violence and contempt we are barely able to endure.

In this way, Oliver Voigt is convinced that in our social context we often already unconsciously work on distancing ourselves from certain pictures and messages and no longer “see” the images exactly. But it is about a personal, as pictorial approach. By analyzing the pictures analytically, getting them to himself and turning them into a mosaic, he can approach them. The interesting thing about this analytical, technical work of the artist is that he recreates exactly this created gap, the incomprehensible and makes it visible.

Hiske Hilgenga – Sneaker Art

Vernissage on Sa. 7 September 2019 at 8 p.m. to Fr. 20 September 2019

Hiske Hilgegna, Sneaker Art, 2019

The Dutch painter Hiske Hilgenga has a special weakness for sneakers. For him, they have as much aesthetic as erotic appeal. So he has found a way in his art to translate his interest into a painting that does justice to the complex of this preference. Hyske Hilgenan’s works are characterized by a rough, impasto, almost unadorned painting style.

The two-dimensional, unpretentious pictures seem to leave it up to colour alone to construct the motif. They bear witness to a high degree of infatuation with the material, which in the process effortlessly and unheeded overcome the difficult boundaries between abstraction and pictoriality, material and effect.

Hyske Hilgenga’s striking sneakers have an aura that is as light as it is ironic. They do not add another plastic garbage to our crowded world of goods, for their debut nobody has to spend the night in front of a shop.

No, they reflect their quoted subject-object relationship quite simply and playfully in that of art. One can also read a subversive commentary on toxic high capitalism in this strategy.

Fuck Your Selfie! #5 – Portraitsalon

You are invited!
From 29 May to 2 June 2019, from 2 p.m. to 19 p.m.

Now – the legendary Portraitsalon Festival for the 5th time !
Berlin artists portray you in poetry, painting, drawing, object, singing, dance and performance!

Fuck Your Selfie Numero Cinque, Lydia Karstadt, 2019

With: Jim Avignon, Herve Cabin, Francoise Cactus, Betty Diggler, Gina Dorio, Natascha Frioud, Gabi Garland, Maike Hartwig, Mareike Hube, Carola Humbodt, Elke Graalfs, Miriam Licia Jadischke, Lydia Karstadt, Manfred Kirschner, Andreas Kotulla, Eike Lauen, Rudi Paris, Caren Sielaff, Gabriele Regiert, Rias, Veronika Schumacher, Berit Schneider, Heike Walter, Oliver Voigt, Gisela Wrede und weiteren!

It is perhaps absurd to assume that a classical portrait situation, in which a model, in this case the visitor, enters into a direct relationship with an artist, is so special that it ennobles her to art. In our time, however, which is also marked by populism, the proliferation of unchecked subjectivities and an annoying over-individualism, the classical, lifelike conversation, the communicative act of interpersonal perception, reflection and depiction declares itself to be avant-garde. On five consecutive days, the artists present, the visitors to the gallery, will portray the artists. The communicative working atmosphere is accompanied by performances and musical contributions, while a new portrait exhibition grows. Participation in this exhibition is still open during the festival. We are looking forward to the fifth edition of the Salon!

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Crystal Ball Supermarché

Artists of the galleries opening up a supermarket

Fashion Video, Collage, Papier auf Leinwand, Manfred Kirschner
Fashion Video, Collage, Papier auf Leinwand, Manfred Kirschner

Opening on Sa. 1 December 2018 at 7 p.m. with a performance by Evita Emersleben

with: Jim Avignon, Thomas Behling, Marion Bösen, Evita Emersleben, Natascha Frioud, Gabi Garland, Elke Graalfs, Maike Hartwig, Mareike Hube, Henrik Jacob, Lydia Karstadt, Line Karlstrom, Andreas Kotulla, Ilse Orinska, Gabriele Regiert, Stefan Ruf, Berit Schneider, Frank Schoppmeier, Veronika Schumacher, Annette Stemmann, Silke Thoss, Tamara Trölsch, Line Wasner, Oliver Voigt, Gisela Wrede and others

Crystal Ball Supermarché

“The miracle of shopping is possible every day!” – Lydia Karstadt
Another supermarket! Every street corner needs a supermarket. In Berlin the newest shopping mall at the Eastside Gallery has just opened. The 69th shopping mall in Berlin alone. After the repaired remains of the wall, you might feel like buying a new sweater.

In our carefree scout, a world with retrograde amnesia, everything is always available and for sale. This world knows no problems or shortages. Here you don’t need gardens, talent or knowledge, because it becomes a personal drone-scourge. In this world there is no climate change, no diversity, no extinction of species, no otherness. Everyone wants the same thing voluntarily. A privileged world that ends with us, because it is no longer about leaving something behind. To what extent can we even move out of this trauma? Is there the possibility of conversion? Or is this just a pronounced cultural pessimism?

Ciaccios Olivenöl from Menfi in the supermarché

In the Crystal Ball Supermarché, the gallery presents a colourfully growing selection of artistic “products” by artists who represent multidimensional, critical views of art. For example, the artist Evita Emersleben represents the meat and sausage department. With her performative actions of 2017, “Sliced or in the piece”, she shows complete politeness. In contrast to her colleague Banksy, the buyer is politely asked beforehand whether he wants the work in pieces or cut.chte.

Like last year, the wonderful, delicious SUPEROLIVE will be there! With its constantly growing olive oil community, which understands the obvious connection between art and life, culture and nutrition as avant-garde. In the Supermarché you will find many more serial unique pieces and works of art that bear a critical, perspective, self-confident view and open the Winter Salon 2018.

alle ente – Manfred Kirschner

Opening on 7 September 2018 at 5 p.m.

Curator Lydia Karstadt doesn’t seem to have returned from the summer of the year yet, but in the Crystal Ball shop window she is showing a Window of Moving Art, one of the latest collage mobiles by artist and exceptional performer Manfred Kirschner, alongside breathtaking handmade works on canvas.

In a recent interview, Kirschner replied to the question of which artist he currently values most: “I am the best artist I know”. You can only say “alle ente”:

Salle d’attente – Natascha Frioud & Gabi Garland

Calling the waiting numbers: The visitors are always careful not to miss their drawn number.

Opening with performance on Sa. June 9, at 7 p.m.
until Sun. July 15, 2018

The gallery space transforms into a waiting room that also reflects the question of what we are actually waiting for or what expectations we have of what is to come. What will be later? In the staging of the space, works of art are presented and information material and refreshments are available, which, as in any other waiting room, could successfully distract from these trains of thought or, in contrast, focus them in a special way. Take your time.

Gabi Garland a salle d´attente Galerie Crystal Ball Berlin
Waiting for my fan, Gabi Garland, Barcelona, 2018

Dans la salle d’attente,on est juste là.
Assis. On ne fait pas grand chose! Il faut juste qu’on soit là.
Quelques fois on regarde le temps qui passe.
C’est un peu long d’ailleurs, de le voir passer.
Mais bon, dans la salle d’attente,
on est là pour qu’ensuite il se passe quelque chose!
Et souvent, ce qu’il se passe après est tout de même un peu décevant.
Parce que finalement, dans la salle d’attente,
on était un peu content, d’avoir enfin tout ce temps.
Natascha Frioud

Natascha Frioud Galerie Crystal Ball Berlin
Warms and makes you young: The oldest clothes in the world, Natascha Frioud, ink on newsprint, 2018

Martin Mindermann – Studium der Zeichen

Vernissage on Sunday, 18 March at 16 o’clock
18.3. – 5.5.2018

Look out! – A selection of Raku vessels will be on display on the weekend of 20 & 21 May from 14 – 19 o’clock at Haus Lohmnitz, Langohrzeile 9 in Berlin. The exhibition there also shows paintings and collages by the artist Elke Graalfs and collages as well as a mobile by Manfred Kirschner

Martin Mindermann Raku Brand Keramik
Martin Mindermann, 2017

The artist Martin Mindermann has been working in ceramics in the area of ??the Raku fire for three decades. He has already set new standards in artistic technique and expression. In the Raku’s historical technique, the glowing vessels are taken out of the oven, placed in straw or shavings and also moved in the renewed fire. The burned, black, sooty vessels unfold in the purge of soot, their stirring characteristic secrets. The changing temperature boosts cause glaze cracks, the so-called Krakelé. On the one hand, controlled by the artist and natural coincidence underlying technology that works like a language. Crackle, coloring and body play in a changeable aesthetic interaction creating a unique object. The artist often stages volumes and bodies with pictorial surfaces. Here he inserts patterns and striking visual structures in current works. These are contemplative forms or series that he finds and studies in everyday life. He translates floral objects, such as seed pods, figural outlines, reflections, even patterns on car parks or tablecloths, onto the glaze using photography and drawing. They form a complex aesthetic creation that works in the virtuose interaction of the various levels and their setting similar to painting. Moreover, it seems as if the emerging images with the vessel have received their intended body. Martin Mindermann knows how to convey the inherent contemplation of his ideas and studies in a very convincing way. One can hardly escape the intensity and radiant power of his works and, as a viewer, can easily enter a calm, deep vision.

Crystal Ball Berlin