Galerie Crystal Ball

Topsy Freerider – Le Trans Tier Salon

Debut/Opening on Fri. 8. January 2010 at 8 pm

Le trans tier salon, Topsy Freerider

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Debut/Opening on Fri. 8. January 2010 at 8 pm

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Le trans tier salon, Topsy Freerider

An exhibition engraved by Frank Schoppmeier and Manfred Kirschner with:

  • plus de plus, animal performance, by Elke Graalfs in order to M.K.
  • Topsy Freerider: 8.1. – 5.2.2010
  • Monofragil with DJ Catastrophe : Fr. 15./ 22./ 29. January from 8 p.m.
  • Fin/Christel Beuys Ball: Fr. 5 Feb. at 8 p.m.
  • Dj Olga N., Bruno & Gustaf, Seek Zag Lazer (Tyskerhar)
  • Astrid Küver with Laurie D.!
  • Lydia Karstadt creaturing Fritzie

Production: Frank Schoppmeier & Artists of the Galleries: Trans Tier Salon, open: Friday and Sunday from 3 p.m.

Topsy Freerider will transform Crystal Ball from Friday. 8. He was taken to an open salon on 1 January 2010. The poodle never stops! An illuminated winter dream in the art living room of the Crystal Bar with creature performances, hot soup and sewing machine decoration. Schellack sounds by DJ Catastrophe and DJane Olga N. from the suitcase plate player (Monofragil) change with Trans-Disko-Express. Lydia Karstadt, the new star in the club sky (sic!), with her insolvent show “Creaturing Fritzie” debuts in the Separee of creatures.

To the Christel-Beuys-Ball on 5. On February 1, Seek Zag Lazer (Tyskerhar), live electro. During the salon, various artists show Berlin galleries their works.

Concept/Selection: Only who we met by chance or someone who appeared in the preparation phase is in the salon ,,,….—–,,.. –..,

Love is;  to think outside of what is

Me and F. and O. after the Pet Shop Boys concert, Before

Topsy Freerider – Galerie Crystal Ball Berlin

  • Stefan Demming: Bobs Dog

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An exhibition engraved by Frank Schoppmeier and Manfred Kirschner with:

  • plus de plus, animal performance, by Elke Graalfs in order to M.K.
  • Topsy Freerider: 8.1. – 5.2.2010
  • Monofragil with DJ Catastrophe : Fr. 15./ 22./ 29. January from 8 p.m.
  • Fin/Christel Beuys Ball: Fr. 5 Feb. at 8 p.m.
  • Dj Olga N., Bruno & Gustaf, Seek Zag Lazer (Tyskerhar)
  • Astrid Küver with Laurie D.!
  • Lydia Karstadt creaturing Fritzie

Production: Frank Schoppmeier & Artists of the Galleries: Trans Tier Salon, open: Friday and Sunday from 3 p.m.

Topsy Freerider will transform Crystal Ball from Friday. 8. He was taken to an open salon on 1 January 2010. The poodle never stops! An illuminated winter dream in the art living room of the Crystal Bar with creature performances, hot soup and sewing machine decoration. Schellack sounds by DJ Catastrophe and DJane Olga N. from the suitcase plate player (Monofragil) change with Trans-Disko-Express. Lydia Karstadt, the new star in the club sky (sic!), with her insolvent show “Creaturing Fritzie” debuts in the Separee of creatures.

To the Christel-Beuys-Ball on 5. On February 1, Seek Zag Lazer (Tyskerhar), live electro. During the salon, various artists show Berlin galleries their works.

Concept/Selection: Only who we met by chance or someone who appeared in the preparation phase is in the salon ,,,….—–,,.. –..,

Love is;  to think outside of what is

Fort – Horror Vacui

Exhibition opening on Fri. 13. November at 8 p.m.
13.11. – 29.12.2009
Finissage am Die. 29. December at 8 p.m.

Horror Vacui, Fort

The artist collective Fort (Anna Jandt, Jenny Kropp und Alberta Niemann) work through a system of references using documentary, objects, stories and their interrelations.  In their installations and engineered spaces, Fort construct precise interiors with conscious references made through the choice and placement of objects. They create poetic, surreal spaces and performances. Thing, action and derivation, as well as their historical and scientific evaluation collide with a dream like logic- through the revelation of complex unconscious structures and enigmatic backgrounds.

The stories of the entities, excerpts and apportions become parts of a mystic documentation. Things are copied, multiplied and  reflected. They become signs, representative information of a world remembered, transforming into catalysts of cognitive processes of a cruel, poetic reality.

At this mysterious point of human perception; the twins, the forgotten, the unclear identity, Fort begin – with their belief in the impossible and the legendary in this world, to work for a change.

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One-Cubic-Decimeter-To-Boil-The-Ocean, Fort

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Horror Vacui, Fort

past presentations

  • POINT GRAY, Installation, Action, Show
  • Sequences Real Time Art Festival Reykjavik, Island &Bremer Kunst Satellit/ Museum Weserburg Bremen 2008
  • HOTEL MARIENBAD, Installation (in collaboration with Claudia Heidorn and Anneli Käsmayr – dp) KW Institute For Contemporary Art Berlin 2008

Galerie Crystal Ball – Karneval der Galerien

Carnival of the Galleries, Berlin 11.11.2009

Gallery Crystal Ball at the Carnival of the Galleries, Berlin

The Crystal Ball Gallery is sending an embassy as an autonomous art block to the first Berlin carnival of the galleries. Hotzi, Motzi and Zoei made the demands “Silence money for artists!” and “Free beer for all”.  Gentrification back and forth, artists should not continue to produce unpaid NO art. The widespread assumption that artists are forced to make art for obsessive, psychological or social reasons, is finally receiving a blessing. We do not want a Temporary Kunsthalle to plug the polithistorical Castle Square Hole, but the Temporary Artist’s Pension!  money, for all artists who no longer comment on these and other social standards. With the basic supply of artist silence, the monetary inaction, the saliva licking of the gallery scene finally ends and the art market empties away weakened from its high-end staff, its germ-free gallery houses and art? Shares.  Artists are rethinking your role! What else are you as simple art theory coasters! Get out of the self-crisis into consciousness! The crisis is over! Long live the crisis! On to the artist general strike! … Excerpt from the Büttenrede of Galerie Crystal Ball, Manfred Kirschner, Berlin

Gallery Crystal Ball: Zoei at the Carnival of the Galleries, Berlin 2009

Wolfgang Müller – Séance Vocibus Avium

Exhibition opening in the Crystal Ball Gallery and the Dörrie Priess Gallery on 25 September at 7 pm

26. 9. – 6. 11. 2009

Hawaii Krausschwanz, Wolfgang Müller

Séance Vocibus Avium (I)

The only completely exterminated bird originally native to Europe is the North Atlantic giant auklet (Alca impennis). Its last occurrence is off the southern Icelandic coast on the rocky island of Eldey. On 3 June 1844, the last two birds, a breeding pair, were killed there by the fishermen Jón Brandsson, Sigurður Ísleifsson and Ketill Ketillson from Hafnir by turning their necks in order to sell their bellows and offal to a Danish bird collector. This silences the bird’s song forever.

After his first trip to Iceland in 1990, Wolfgang Müller formed a giant auk from modelling clay, fabric, paper, paint and chicken feathers. In 1994, on the occasion of the 160th anniversary of its extermination, he reconstructed the bird’s vocalizations in the radio play studio of the Icelandic radio station stöð 2, using the Icelandic actress Kristbjörg Kjeld as his medium. Using modern studio technology, the bird’s calls are reconstructed and thus made audible for the first time since its extinction in 1844. The reconstruction is based on historical scientific descriptions, such as those of Dr. Alfred Newton from Cambridge. In 1854 he asked the sailors from Hafnir about the last minutes in the life of the last giant eagles and published their detailed statements in 1858 in the ornithological journal “Ibis”.

Other bird species, mostly exterminated by direct or indirect human intervention, originate mainly from North and Central America, Madagascar, Australia, New Zealand and the islands of the Pacific Ocean. Since the 16th century, an estimated one hundred and fifty bird species have become extinct. Descriptions of the vocalizations of very few of these exist.

In addition to the giant eagle, ten other bird species are among them, whose calls can now be heard simultaneously in the Galerie Dörrie * Priess and the Galerie Crystal Ball. Wolfgang Müller gave ten well-known musicians scientific descriptions of a selected species and asked the respective participants to leave their bodies and slip into the bird body assigned to them. At the moment the bird becomes a bird, music and musicians disappear. The calls of long-silenced birds resound.

Séance Vocibus Avium

  1. Coturnix Novae-Zelandiae, Neuseeländische Schwarzbrustwachtel, † 1875. (Namosh)
  2. Hawaii-Krausschwanz, Moho Nobilis, † 1934. (Max Müller)
  3. Assumption-Weißkehlralle, Dryolimnas Cuvieri Abbiotti, Unbekannt. (Frieder Butzmann)
  4. Jamaika Teufelssturmvogel, Pterodroma Hasitata Caribbaea, Unbekannt. (Justus Köhnke)
  5. Mauritiusfruchttaube, Alectroenas Nitidissima, † 1930. (Annette Humpe)
  6. Präriehuhn, Tympanuchus Cupidio Cupido, † 1932. (Francoise Cactus/Brezel Göring)
  7. Lachkauz, Sceloglaux Albifacies, † 1914. (Nicholas Bussmann)
  8. Lord-Howe-Inselrasse des Norfolkstars, Aplonis Fuscus Hullianus, † 1923. (Hartmut Andryczuk)
  9. Guadalupe-Caracara, Polyborus Lutosus, † 1900. (Khan)
  10. Riesenalk, Alca impennis, † 1844. (Kristbjörg Kjeld/Wolfgang Müller)

Séance Vocibus Avium (II)

The corresponding radio play “Séance Vocibus Avium” of the artist just won the Karl-Szuka-Award 2009 – considered the most renowned award for audio art in Europe. In the exhibition Séance Vocibus Avium, taking place in two Berlin galleries – Crystal Ball and Dörrie Priess – Wolfgang Müller presents drawings and audio sounds he produced, based on historical and scientific descriptions of eleven extinct birds. The simultaneous presentation of Séance Vocibus Avium in the context of two different gallery spaces continues Wolfgang Müller’s concept: the synchronism of analogy and diversity. Wolfgang Müller enlisted the help of prominent musician friends: Namosh, Khan, Justus Köhncke, Nicholas Bussmann, Max Müller, Stereo Total, Frieder Butzmann and Annette Humpe- in the reconstruction of the bird sounds. With delicately rendered colour pencil drawings Müller approaches the shape of the lost birds.

His reconstruction process begins with the available materials: taxidermy birds, historical images and scientific descriptions concerning the behavior of the species. The resulting drawings are different for each species, but unmistakably related. Wolfgang Müller opens up a novel space with his work. It stands in a touching alliance to the scientific efforts, to describe and comprehend these no longer existing animals. A new reality is created.

Séance Vocibus Avium, Wolfgang Müller


Bob Tooke – Don’t Give The Birds Money!

Exhibition opening on Fri. 17th. July, 8 p.m.
Exhibition duration: 18. 07. – 28. 08. 2009
Finissage on 28 May 2009 August at 8 p.m.

Please Don’t Give The Birds Money!, Bob Tooke

Bob Tookes´art work could be seen as a continuation and new developement of classic american folk art. After his art studies at Baton Rouge, Louisiana, and the completion of his “Master of Fine Arts” in 1991 he went to Hamburg. Besides his art work  he has also worked as a musician. Over the years Bob Tooke joined in several group- and solo shows in Germany, Europe and the U.S.

Bob Tooke about Bob Tooke in the Crystal Ball Gallery

The unpretentious naïve style of his paintings is thematically connected to his music and his song lyrics. The works show a joyful but mysterious humour. For the paintings he uses leftover pieces of wood, wooden boxes and lost properties that come from commercial and urban contexts. Thereon the painted scenes are  narrative and playful and in the same way enigmatic. The artists´ painting is laconic, transporting through his spontaneous gestures, collecting the fleeting impressions  of  moments. Subjects and text show in their direct confrontation disastrous  realationships and stories. Portraits of the heros of Country and Blues standing opposite a series of burning tour busses and private cars, who represent the artists of mainstream, that should dare to verify itself. Beloved and unloved show up obsessively worked out in ironic series, existing equal to each other. This implies the conception and joy of transforming and expressing a culture that is critical of commercialism.


Elke Graalfs – Kopfüber

Opening of the exhibition on Fri. 19. June at 8 p.m. 20.06. – 11.07.2009
Finissage, performance and big summer festival in the crystal ball: at the Sat. 11. July from 5 p.m.

White Little, Elke Graalfs

Elke Graalfs shows an environmental room installation that is based on painting and adding the point of view of the angle as a method of medial effect. The artist combines in her works the picturesque and drawing gestures to build constitutional reality in relation to the time. Through the specific use of  colour spaces, the construction and creation of textures, fabric and surface are revealed. In actual pictures they are stepping over the canvas, the pure picture itself and also work with the techniques of collage. The ground itself, the ripped paper conquers as a potential picture carrier the space. The works of Elke Graalfs examine functions of visual perception and show strongly the moment of recognition of an image and it’s personal construction.

At the Finissage, the Summer Party of the gallery the artist will show her performance “Schnee von Gestern”


Max Müller – An und für Sich Wertlos

Opening of the exhibition Fri. 17 April, 8 p.m.
Exhibition duration: 18. 04. -22. 05. 2009
Finissage: 22. 5a., 8 p.m.

Woman with weapon, Max Müller, drawing

Max Müller was born in 1963 in Wolfsburg, and is an author, musician and draughtsman. The subjects of his handmade drawings include portraits, popular and socially critically scenes; reproductions of magazines and newspapers. Compared to the sources of the images, Müllers works develop a difference through their proportional and structural deviation of his drawing gesture and the commentary titles. The colour- pencil and ball point pen worked sheets swing between the poles of describable reality and its relative aspect. Together the pictures and the text develop a relevant relationship. They work as a supporting polarized couple. Parts of the image are distorted, other parts are merely suggested. In this way the title commentary, omissions, and emphasis structure the reception of the picture. It creates an enigmatic trace of the conscious use of information. Max Müller is working in this slightly in between space, the discovered contradiction, an inexplicit covering which shows up gaps of interpretation, missing information or its overload, and their own apprehension that approaches the truth. Besides various band- and solo projects Max Müller has since 1986 been the songwriter and singer of the still active band “Mutter”. Actually he shows with his solo album: „Die Nostalgie ist auch nicht mehr das, was sie einmal war” brilliance in text and music.


Aylin Kayser & Christian Metzner – Ikarus

07. 04. – 10. 04. 2009
Finissage: Reading by Svealena Kutschke
Other opening hours: 7. up to 10. April: 8 p.m. – midnight

Ikarus wax lamp, Aylin Kayer/ Christian Metzner

Aylin Kayser and Christian Metzner are the designers of the Lamp Ikarus, which has already won several design awards, such as design contest 2008, in Imm. Most recently, IKARUS was introduced to a wider public in November 2008 with the support of the Crystal Ball gallery, in the TELEVISION magazine “Chic”. The concept of Icarus goes beyond form and a purely pramatic function. Through his mediation of content, as well as his thus conceived, built-in defunctionalization, Ikarus consciously enters the field of the visual arts.

Icarus consists of 90% paraffin, which is stabilized by an internal stainless steel construction and steel wire ropes. The bulb inside the lamp develops heat and melts the wax sleeve. The lampshade is subject to constant deformation, which runs differently with each model and makes it unique. The wax eventually drips off and creates a new sculpture. The melting in the deformation process depends on the operating time and the ambient temperature.

According to the artist, Icarus is intended to stimulate the viewer in a poetic and metaphorical way to deal with his own interaction and consumption of energy. The wax lamp Ikarus demonstrates the short-livedness of today’s product world and ultimately destroys itself in its function. With the acquisition of IKARUS, one obtains not only a design object, but also a process that, due to its transformative representation, represents an exciting and contemplative live performance.

The Crystal Ball Gallery shows IKARUS in its transformation on 7 May. until 10. April 2009

IKARUS wax lamp Arte CHIC

Svealena Kutschke – Etwas Kleines Gut Versiegeln

Features / Reading on Fri. 10. April at 22 Uhr
In collaboration with Wallstein Verlag

Svealena Kutschke: Etwas Kleines Gut Versiegeln

“A debut of extraordinary linguistic power and worldliness, which tells of people who seek their happiness beyond the usual traces.

Is life a strange cave system?, Lisa wonders as she breaks off her photography studies, climbs onto a bridge arch and throws the camera onto the railway tracks. Australia is just far enough for her. She goes to Sydney, where she lives with Marc, her brother’s caring ex-boyfriend. There she throws herself between the dazzling night figures on Oxford Street and fixes the sinking sun like an enemy every evening: whoever goes down first has lost. But in her bag are still 6 film cans with pictures of B in a crumpled dress over her hairy legs and with lipstick on her crooked teeth.

As if that weren’t enough, she finds a single photo on the street, in which she can be seen in an environment completely unknown to her. She sets out in search of this place, always accompanied by the ironic-philosophical catalogue of questions of the artist duo Fischli & Weiss.

So she hangs herself through oddities of her everyday life, lustfully designs explanations, amazes that everything always comes differently than thought. Is my lie a masterpiece of innovation and statics? Lisa lets herself get involved in a strange game. The boundaries of the real are blurring, and the polarities of gender determination anyway.”


Françoise Cactus – Häkeldiven und Starletten

20. 02. – 03. 04. 2009

Amy Wollmaus, Francoise Cactus

Françoise Cactus is a drummer and singer in the band Stereo Total. She also writes books, draws, paints and crochets. The unpretentious style of Françoise Cactus’ artistic work has an unmistakable charm. Her artistic works are first and foremost simple and cool.

She also draws, paints and chrochets. Her artistic works have an unpretentious distinctive style that is in both ways charming and cool. Because of this, the oeuvre of Françoise Cactus has an esprit who defies the conformist strategies of image in the art business. Françoise Cactus for example once presented her drawings in a well known TV magazine to the viewer from a Kreuzberg park bench. Her cardigan object “Wollita”, a 1,67 cm crocheted doll caused a press scandal at the exhibition „When Love Turns To Poison.” The story about can be read in the book: „Wollita – Vom Wollknäuel zum Superstar” published 2004 at Martin Schmitz, Berlin. In the exhibition Häkeldiven & Starletten” at gallery Crystal Ball Berlin Françoise Cactus shows the friends of Wollita. The three- dimensional portraits of Amy Wollmaus, Kratz Jones, Nina Häkel and Debbie Hairy. In her paintings and the freely worked gouache and marker drawings the artist describes the glamour and the darkly longings of stars. The dream of extravagance, fame and jet set lifestyle exchanges with Hollywood film excerpts, these are the subjects of the also reduced cool but humorous portraits and drawings of the artist. Nancy & Sid, the Peaches, Britney Spears and other stars are in the row of visitors who appear in Françoises´ lounge universe.

For the opening of the show at Crystal Ball the Françoise Cactus will do a performance. Also a limited edition postcard series of the new friends of Wollita will be released.


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